21 May – 27 June 2026
Sneak preview on Thursday, 21 May 2026 from 16.00 to 19.00
with a reading by the author Helene Johanne Christensen at 17.00
In Danish, GENSKÆR suggests both reflected light and recurrence: the return of something transformed, something reinterpreted.
The exhibition presents new pieces by Clara Toksvig, Sophia Moe and Thea Djurhuus, three ceramic artists of the younger generation who explore transformation, recollection and the structures that shape our common reality. Through sensuousness, nurture, mystique and transformation, the exhibition moves between the mundane and the mythical in stories that raise questions about what remains, what disappears and what re-emerges.
Clara Toksvig examines values that are rarely visual, investigating their development over time. Architectural ornamentation shows how historical shapes continually re-emerge in new contexts, while labour and nurture often remain anonymous. In her pieces, the focus moves from the visible result to the processes and systems that enable it and to the underlying values that are continually negotiated and rewritten.
The myth of the phoenix informs and inspires Thea Djurhuus’s investigation of circuits of experiences and the human tendency to repeat historical patterns and myths. Resurrection becomes an image of the cyclical processes in society and the human body, as some things perish and something new comes to life. The Installation examines whether experience is destroyed by the fire or is stored and lives on in new forms.
Sophia Moe creates a ceramic landscape where bonds and affiliations do not appear as stable elements but as relational resonance. Traces, cavities and waxed surfaces hint at life in or around the pieces, while the shapes bring nature’s own dwellings and organisms to mind, pointing to interdependency and transformation through sensuous processes.
Across the exhibition, the pieces form a joint investigation of what carries us, connects us and is continually regenerated. The invisible structures of nurture, the sensuous logic of nature and the recurring patterns of history are interwoven in narratives of generation and dissolution. Genskær points to the moment when something re-emerges – transformed but recognizable, fragile but enduring.
Clara Toksvig (b.1995) holds a bachelor’s degree from the Royal Danish Academy, Nexø, Bornholm, from 2021.
She held her first solo exhibition (re)production in 2024 at the Formation Gallery in Copenhagen (DK), where she also participated in several group exhibitions. Toksvig has also exhibited at Godsbanen, Aarhus (DK), 2024; Fraktal, Skørping (DK), 2024; Officinet, Copenhagen (DK); IFÖ Kunsthal, Bromölla (SE), 2023; LOKALE, Copenhagen (DK), 2022; CLAY, Middelfart (DK), 2021; A. Petersen, Copenhagen (DK), 2021; and Bornholm Art Museum, Rø (DK), 2021.
Toksvig has received generous support for this exhibition from Beckett-Fonden, Den Hielmstierne- Rosencroneske Stiftelse, Nationalbankens Jubilæumsfond, Ellen og Knud Dalhoff Larsens Fond and Guldagergaard.
Thea Djurhuus (b.1996) earned her bachelor’s degree from the Royal Danish Academy on Bornholm in 2021.
In addition to her participation in the duo exhibition Vækst Vol. 1 at Proxy Studio, Copenhagen (DK), 2026, and her first solo exhibition, State of Emergency, at Udstillingsstedet Sydhavn Station in Copenhagen (DK), 2023, Djurhuus has taken part in group exhibitions at Format Artspace in Copenhagen (DK), 2024; Gallery MEME, Seoul (KR), 2023; CLAY, Middelfart (DK), 2023; Kunstsalonen, Charlottenlund (DK), 2023; Inter.pblc, Copenhagen (DK), 2022; Springbrættet, Copenhagen (DK), 2022; A. Petersen, Copenhagen (DK), 2021; and Bornholm Art Museum, Rø (DK), 2021.
Djurhuus is also the author of the article Numb/tid til at briste for I DO ART in 2024.
Sophia Moe (b.1997) earned her professional bachelor’s degree in ceramics from the Royal Danish Academy in Nexø in 2025 and holds a bachelor’s degree in art history from the University of Copenhagen from 2021.
Concurrently with her exhibition at Peach Corner, Moe holds the solo exhibition Softer Tissue at Officinet in Copenhagen (DK). In 2024, she held her first solo exhibition at the Norske Hus, Sophienholm, Kongens Lyngby (DK). She has also taken part in a series of group exhibitions, including at OPD3, C
